Baton Charge: “Tar”

January 18

An orchestra, as Lydia points out, is “not a democracy,” but, nonetheless, might it be helpful if classical musicians took the word “maestro” and slung it out of circulation? Does the aura that enfolds it not lie at the rotten root of the story of Lydia Tár? If you worship a maestro, after all, don’t be surprised if you wind up as a slave to the rhythm.
Anthony Lane

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